Latest Music
Short Tales of Science Fiction & Family Dissonance
June Cleaver and the Steak Knives
Short Tales Limited Printing Signed CD Download |
$10.00
|
Short Tales of Science Fiction and Family Dissonance is the latest concept album from June Cleaver and the Steak Knives, a genre-bending band known for their mix of alt-rock, post-punk, and hauntingly introspective Read more
Short Tales of Science Fiction and Family Dissonance is the latest concept album from June Cleaver and the Steak Knives, a genre-bending band known for their mix of alt-rock, post-punk, and hauntingly introspective lyrics. This new release explores the tension between the cold, distant worlds of science fiction and the deeply human struggles of family dissonance, weaving these seemingly disparate themes into a powerful narrative about identity, isolation, and the longing for connection in a fractured world.
The album’s opening track, Insomnia, sets the tone with it’s ticking clocks and racing anxiety amidst lush, textural passages and musical interplay amidst a haunting melody that echoes the loneliness and despair of a horrible night’s sleep. The dreary, non-existence feeds the apprehension, conjured up through fears of the ever enveloping technological breakthroughs and unknown side effects, amidst the maddening ticking of clocks and dripping of sinks. Must Be Nice combines upbeat, bass-driven prog rock with spaciously rich musical passages, acting as a backdrop to the battle against self-righteous, holier-than-thou, black and white smugness.
As the album progresses, songs like Quarantined and You Don’t Get It explore the alienation felt within the confines of traditional family structures forced to exist together during a covid lockdown and beyond, painting vivid sonic landscapes where misunderstandings and unspoken grievances eat away at any semblance of a possible personal utopia. But there’s a glimmer of hope, too: tracks like This Was The Future and John offer moments of redemption through inspiration and higher hopes, albeit with a taste for absurdity, suggesting that a better world is possible trying to stay open to the wonder of it all. The album concludes with a song about the torment of dementia and the deterioration of one’s psyche. This album blends dark comedy, science fiction, insanity, and a beautiful array of musical landscapes, with influences from bands such as The Beatles, Oingo Boingo, They Might Be Giants, and Devo.
-
Insomnia 3:590:00/3:59
-
Xray Glasses 2:310:00/2:31
-
Multitasking 3:190:00/3:19
-
With Her Eyes 2:440:00/2:44
-
Erase 3:410:00/3:41
-
Must Be Nice 3:530:00/3:53
-
You Don't Get It 2:480:00/2:48
-
0:00/2:43
-
Quarantined 5:270:00/5:27
-
The incredible Arse 5:120:00/5:12
-
Monochrome 1:360:00/1:36
-
This Was the Future 1:570:00/1:57
-
Man VS MIDI 2:530:00/2:53
-
John 3:050:00/3:05
-
Technophobe 4:380:00/4:38
-
Xenophobia 4:530:00/4:53
-
0:00/4:24
-
Where am I? 6:150:00/6:15
Short Tales of Science Fiction & Family Dissonance - Short Tales Limited Printing Signed CD
$10.00
Short Tales of Science Fiction & Family Dissonance" is a Read more
Short Tales of Science Fiction & Family Dissonance" is a genre-blurring sonic adventure from June Cleaver and the Steak Knives, blending darkly witty storytelling with retro-futuristic grit. This new CD dives into eerie domestic dystopias, offbeat sci-fi nightmares, and the beautifully fractured chaos of family life—all wrapped in the band’s signature razor-sharp sound. Buckle up for a ride through twisted narratives, pulsating rhythms, and melodies that linger like the echo of a transmission from another world.
Short Tales of Science Fiction and Family Dissonance is the latest concept album from June Cleaver and the Steak Knives, a genre-bending band known for their mix of alt-rock, post-punk, and hauntingly introspective lyrics. This new release explores the tension between the cold, distant worlds of science fiction and the deeply human struggles of family dissonance, weaving these seemingly disparate themes into a powerful narrative about identity, isolation, and the longing for connection in a fractured world.
The album’s opening track, Insomnia, sets the tone with it’s ticking clocks and racing anxiety amidst lush, textural passages and musical interplay amidst a haunting melody that echoes the loneliness and despair of a horrible night’s sleep. The dreary, non-existence feeds the apprehension, conjured up through fears of the ever enveloping technological breakthroughs and unknown side effects, amidst the maddening ticking of clocks and dripping of sinks. Must Be Nice combines upbeat, bass-driven prog rock with spaciously rich musical passages, acting as a backdrop to the battle against self-righteous, holier-than-thou, black and white smugness.
As the album progresses, songs like Quarantined and You Don’t Get It explore the alienation felt within the confines of traditional family structures forced to exist together during a covid lockdown and beyond, painting vivid sonic landscapes where misunderstandings and unspoken grievances eat away at any semblance of a possible personal utopia. But there’s a glimmer of hope, too: tracks like This Was The Future and John offer moments of redemption through inspiration and higher hopes, albeit with a taste for absurdity, suggesting that a better world is possible trying to stay open to the wonder of it all. The album concludes with a song about the torment of dementia and the deterioration of one’s psyche. This album blends dark comedy, science fiction, insanity, and a beautiful array of musical landscapes, with influences from bands such as The Beatles, Oingo Boingo, They Might Be Giants, and Devo.
Patrick and Christopher Bradley - composition, engineering, performance, mixing and production.
Marianne Tasick - vocals, violin
Evalyse Bradley - piano composition and performance on track #9
Damian Bradley - euphonium on track #7
Alison Bradley - lyrical content on tracks #7, 14
special thanks to Mark "the Guitar Guy" McKenzie, Dave Bradley, Steve Fornal, Gerry Roycraft, Chris Butler, Roger and Betty Popp, Nancy Ortner, Steven Parente